Skip to content
Friday, October 16, 2026
Report Brit

Ballet Star Matthew Ball on Demanding Parts and Online Scrutiny: 'I'm Not Precious About My Body'

Within the quiet ambiance of a lounge near London's prestigious dance company, Matthew Ball orders a mint tea. His carriage is naturally upright, his limbs defined beneath a plain tee. On stage, dancers can appear like mighty deities, yet frequently offstage they are petite. This is not true for Ball, whose tall stature is one reason for his popularity for princely characters and partnering. Possessing fine features and intense eyes, there's a hint of Robert Pattinson about him.

An Apparent Ascent to the Top

At 31, Ball is experiencing the crest of a career that has advanced seamlessly. Raised in Liverpool, he faced little ridicule for his childhood interest in ballet. Joining the Royal Ballet School at 11, he graduated directly into the troupe and was promoted each year, attaining the top rank of principal in 2018. He has loved tackling substantial characters, particularly the psychological angst found in Kenneth MacMillan's works.

"Your lungs are burning, your legs get heavy, but it’s really a mental fatigue."

His next starring role is as himself, in an "Evening With" event aiming to offer behind-the-scenes perspectives into a performer's art. He will walk the crowd through a part, showing his mental process while performance. Even in lighter ballets, the test is significant. "A classic ballet is one of the toughest technically," he notes.

The Psychological Struggle and After the Show Emotions

What about after a performance, when he has pulled it off? "It's pretty good," he says. "However because I'm trying to extract all the juice out of it, and get lost in the role, quite often I do feel embarrassed later. After Mayerling I'm always thinking: Wow, what must people think?"

In person, Ball is reflective, mild-mannered, and quick to laugh at himself. But a dance maker previously remarked on a "sense of suffering in him." Is there? "I am very energetic in general, but I do have a melancholy streak," he confesses. "I kind of enjoy negativity sometimes. I've always felt that negativity has been an catalyst for good change."

Early Motivations and Artistic Inspirations

Ball's tenacity originated in youthful setbacks. Not excelling in contests at school made him "vengeful!" It was fuel to prove he could succeed. Reading the book *Mao's Last Dancer* was a "watershed" moment. "It changed everything, it made me go a bit obsessive," he remembers.

An upcoming challenge is creating his own choreography. For Ball, "there's nothing wrong with." "Breaking the conventions is compelling, but just pretending that they’re not a thing any more – I don’t know how far you can go with that." He aims his work to be loaded with meaning, drawing inspiration from books, music, and art.

Close-Up Performance and Personal Dynamic

He additionally favors staging dance in smaller venues. "It was just really exciting," he says of a past experience. "You’re so near to the viewers. I felt as if they were thinking: 'That’s a human, and they’re sweating.'"

Ball has created duets with his girlfriend, fellow lead dancer Mayara Magri. The degree of trust between them is evident. "We first practiced on a beach," he says of a audacious lift. "It was like Dirty Dancing." The couple aren’t usually matched on stage at their main theater, which might be beneficial. "We’re both quite determined people, so it’s not always smooth sailing," he admits. "But I feel like we’re each other’s biggest supporter."

Regarding Instagram and Bodily Image

On social media, fans can see videos from his projects and photos that highlight a athletic form. Does he mind that the engagement can be somewhat objectifying? Not really. "The body is just what we use, so I don’t feel very precious about it," he explains. He compares it to viewing Michelangelo’s David—something that can be seen on multiple ways.

Ball characterizes his younger self as "eager for success." Did it lived up to his hopes? "I feel very aware of how reality is a different thing to the aspirations you had as a child," he muses. He likely has about ten years of performing ahead. "I suppose in the time to come, I want to be a bit more kind with myself."

About the author

Olivia Martin

Eleanor Vance is a seasoned journalist specializing in UK political analysis, with over a decade of experience covering Westminster and British social issues.

Report Brit

Type to search articles.